![]() As you did with the Acrylics Wet Brush earlier, notice how strokes interact with each other. Take a couple of variants from each of those categories for a test drive. They include Acrylics, Oils, and Impasto (Italian for thick paint). There are several Painter categories devoted to bristle-type brushes. The kind of mark made by a bristle brush depends on a large number of factors: quality and number of bristles, viscosity and amount of paint loaded, and the pressure and direction of the artist’s stroke. Traditional paintbrushes can have a variety of shapes and are composed of numerous bristles that can range in length, thickness, and stiffness. For a photo of this grip see Figure 3.3 in Chapter 3, “Have Another Layer,” where you’ll use this technique in an illustration project. ![]() ![]() This imitates sketching and shading with the side of a pencil or pigment stick. It’s possible to make a very wide stroke if you change your grip so that the pen is at a steep angle. Marks made with the Wacom pen held upright are thin lines, but as you tilt your pen the lines become wider. Have you tried the Real 6B Soft Pencil yet? Look once again at the strokes in the bottom row of Figure 1.13. Buy a copy of Digital Painting Fundamentals with Corel Painter 12
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